Featuring the Habsburg Splendor Exhibit at the Minneapolis Institute of Arts, a showcase of exquisite goldwork embroidery. Don’t miss some pieces, including suits of armor, tapestries, curiosities, and renowned paintings by artists like Caravaggio and Hans Holbein. Visit the intricate details on the Minneapolis Institute of Art’s webpage for a closer look at this splendid collection.
The orphrey trim for the chalice veil had been planned and cut to size and position based on the use of the black Passion Cross. The idea was to place the black motif on a gold motif so it would be more visible. The center of the orphrey was located and matched to the center of the design on the black Fairford Fabric.
Making altar linens for the King of England – a very special project, coordinated by Elizabeth Morgan. Ecclesiastical Sewing small role in a historic event
Merge three vintage Ecclesiastical Embroidery Designs into a versatile artwork. The simple lines make it ideal for whitework, but it seamlessly transitions for gold and silk Ecclesiastical Embroidery. For whitework, consider stitches like stem stitch, outline stitch, and padded satin stitch for letters. Alternatively, use outline stitch with seed stitch fill. Chainstitch is another excellent choice for whitework in Ecclesiastical Embroidery.
You must be logged in to post a comment.