Preparing to transfer Ecclesiastical Embroidery patterns on white fabric. Testing blue quilt pounce for clear, washable lines. Pouncing carefully to avoid powder loss. Tracing with General’s pastel chalk, Paper Mate Flair, and Stabilo pens for comparison. Learning as we go for optimal results. Stay tuned for the next steps!
Testing transfer methods for whitework embroidery. Experimenting with blue quilt pounce powder on linens. Trying a gray pastel pencil for clean lines. Seeking a washable solution to prevent discoloration. Updates coming soon!
Choosing gold threads for the Easter Set Pulpit Fall project. Considering Imitation Japan Thread and Tyre silk threads for couching. Excited to see the glitters in the finished goldwork!
Stitching progress on the Easter Set Pulpit Fall project, focusing on the quarter circle with silk embroidery. Using Au Ver A Soie – Soie Ovale in Crème, the flat silk creates a textured and elegant background. Goldwork couching up next!
The inspiration for current Ecclesiastical Embroidery projects comes from Lucy Mackrille’s book, featuring the Victorious Angus Dei with a quatrefoil frame. The Italian Stitch, damascene stitch, and goldwork embroidery threads are used, drawing from a wealth of knowledge provided by Mackrille’s book and online mentors. The fear of trying new techniques diminishes with thorough reading and guidance.
Receiving new Ecclesiastical Embroidery books among them is “Design for Church Embroidery” by R.A., Althea Wiel, originally published in 1894. This treasured book, now republished, offers a glimpse into historical Ecclesiastical vestment designs. One notable design, intended for a chalice veil, intricately symbolic of Christ, His Sacred Heart, and symbolic elements like grapes and vines. Another design features a simple yet elegant cross adorned with ivy leaves, suggesting color choices for stitching. These designs provide a valuable connection to the artistry of the past in Ecclesiastical Embroidery.
The choice of thread for the initial work is Soie Ovale in Creme, a large-size spool from Thistle Threads. This thread is employed as a laid thread to fill the background around the lilies in the four corners of the circles. The laid work with flat silk requires a steady rhythm. The areas between the lilies, expected to be tedious, turn out to be enjoyable and are progressing well. Despite occasional challenges, the stitching is underway, bringing the project to life.
Working on creating clear and simple step-by-step directions for sewing a square-yoke surplice, a traditional church vestment. Utilizing old vestment books, a two-piece yoke pattern is drafted for easy construction.
Creating a special garment for Holy Baptism—a simple, symbolic white piece to signify putting on the Holiness of Christ. This keepsake, though used briefly, holds significance as part of the Order of Holy Baptism. An easy project with a tiny neckline, a cross or shell design, and simple edges, making it a meaningful and quick creation for a memorable occasion. Perfect for families who wish to cherish the remembrance of their infant’s baptism.
Framing the Ecclesiastical Embroidery design for the Pulpit fall in progress. A cross with floral motifs, Chi-Rho, and lilies will adorn this piece., considering the fabric’s brocade backdrop. The original floral details may evolve into goldwork threads for a stunning effect. The framed design offers a space to experiment with colors and ideas. Excitement builds for this Easter Ecclesiastical Vestment set, with plans to baste layers and provide a protective cover soon.
Ecclesiastical Embroidery Design project for the Easter Pulpit Fall is underway. The linen is now framed up, and the pouncing and tracing will soon be complete. Utilizing the Millennium Frames from Needle Needs for the first time, a short video tutorial was a helpful guide. Framing proved a bit tricky with two layers—the Alabaster Linen from Hedgehog Handworks and a layer of Kona Cotton for backing and support. flipping the frame to the backside ensured proper alignment and support for the lining fabric.
Embroidery framing plans face setbacks due to sizing mismatches with Millennium and Evertite Frames. Technical challenges require a new approach. The starting a new Ecclesiastical embroidery project continues with optimism, but obstacles emerge in frame selection and sizing. Despite encountering disappointments the determination to overcome these challenges and find suitable solutions remains steadfast.
Late-night progress in the Ecclesiastical Embroidery project involves perforating the cross pattern for the Purificator. The “prick and pounce” technique is employed, creating tiny, close-together holes for accurate design transfer. A homemade tool, a size 12 crewel needle in a cork, proves effective for this task. The small pattern size contributes to a quicker perforation process.
“To the Rescue in the Sacristy”: Addressing the mystery of disappearing Purificators in the Sacristy after Holy Communion services, showcasing the need for solutions to ensure linens find their way back to their rightful place.
New Embroidery Frames Mean New Projects: Millennium Frames from Needle Needs arrived, beginning of a new Ecclesiastical Embroidery project. The chosen design, a pulpit fall for the Easter Vestment Set, is sourced from a vintage German book dating back to 1902. This unique treasure has undergone slight modifications to enhance simplicity. Linen options—Alba Maxima, Alabaster Angel, and Ecclesiastical Linen from Hedgehog Handwork. finalizing linen and floss colors, for another ecclesiastical artwork.
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