Summer travels brought unexpected surprises for the Ecclesiastical Sewing family in Montana. A visit to the Ursuline Center revealed a hidden treasure—a Sister’s art studio in the tower, showcasing two hand-painted Ecclesiastical Banners. One banner displayed signs of age with faded beauty, intricate details, and gold bullion fringe. The banners’ origin and age are unknown, making them even more intriguing.
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Making space for new projects in Ecclesiastical Sewing room. Creating a set of rose-colored church clothes for Advent and Lent. Using Florence and tapestry fabrics, making pieces like stole, chasuble, and more.
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Creating various designs for Church Vestments remained a challenge. The Agnus Dei symbol aided in creating the pulpit fall, while inspiration from stained glass guided the design of the Altar Frontal. The quest for better designs spanned years, incorporating research, internet searches, and volunteer work. Gradually, more refined designs came to light.
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Early struggles in Ecclesiastical Sewing led to the first project, an Altar Frontal and Pulpit Fall set. The rush to meet deadlines resulted in noticeable mistakes, but the set, though flawed, was used for Easter and admired by non-sewers. Reflecting on the errors, aimed to improve skills and techniques in Ecclesiastical Sewing.
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Created new Altar Hangings for the church. The project included a black and gold Good Friday Pulpit Fall using traditional fabrics imported from the UK. The set is used on Ash Wednesday and Good Friday in the Lutheran Church-Missouri Synod.
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