Making a choice of having all of the designs stitched in a quatrefoil frame…
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The design worked in a quatrefoil border on silk dupioni, which will need to be applied to the base silk fabric….
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Applying the Ecclesiastical Machine Embroidery Design involves clipping corners, stitching, and turning the edge under. The motif is carefully stitched in place, ensuring a secure and neat attachment.
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Trash or Treasure?
– These beautiful Ecclesiastical Designs are in tatters, are torn, and have none of their original beauty or glory. But they represent the hard work and artistic talent of a designer from years ago, creating ideas on paper to be transferred via Needle and Thread to fabric. They represent hours of selfless giving of time and talent to create objects of beauty for use in the Church.
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There is a color calendar based on LCMS 2014-2015 One Year Series Color Chart or the LCMS 2014-2015 Three Year Series B Color Chart. The color calendar is updated annually to coincide with the church year calendar and the readings for the day or season.
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This festival of The Holy Innocents is often passed by in the Lutheran Church.
– a rare and special time to celebrate in festival Sunday.
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The Flickr photo stream might give a clue on how Ecclesiastical vestments are prepared for large events when hundreds of chasuble, mitres, dalmatics, and tunics are needed. The Stadelmaier photo stream shows the background of a vestment manufacturer making Ecclesiastical Vestments: from the Vestment Design process to final construction, the photos tell an unknown tale. The photo stream also gives a clue as to how church vestments were made in the past by including a collection of old black-and-white photos.
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Ecclesiastical Sewing, a traditional craft, provides a glimpse into history and tradition. Exploring vestments worldwide on platforms like Pinterest reveals beautiful hand-embroidered pieces from countries like Russia and Ukraine. A document by the Metropolitan Museum of Art explains the differences between Orthodox and Western Church vestments, showcasing the Russian Phelonion. The ornate vestments from 1802 to 1877 feature luxurious materials, gold, silver, bells, and unique garment labels, offering insight into the rich history of ecclesiastical textiles.
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Historical monk habit pattern from an old pattern book and recreating the pattern.
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The Beauty of the Art of Ecclesiastical Embroidery and the Ecclesiastical Vestments created from embroidery have a long history with the church. Workers, artisans, craftsmen, both men and women, professional embroidered, and laity, over countless millennia, have added beauty to the church with the work of their hands by creating vestments and hangings for use in the worship service.
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The choice of thread for the initial work is Soie Ovale in Creme, a large-size spool from Thistle Threads. This thread is employed as a laid thread to fill the background around the lilies in the four corners of the circles. The laid work with flat silk requires a steady rhythm. The areas between the lilies, expected to be tedious, turn out to be enjoyable and are progressing well. Despite occasional challenges, the stitching is underway, bringing the project to life.
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Ecclesiastical Sewing involves crafting Church Vestments and facing challenges in finding techniques and patterns. After years of searching and studying, knowledge about this nearly vanished art form has been gathered. Through Ecclesiastical Sewing, liturgical fabrics, patterns, and designs are shared with those passionate about Ecclesiastical Vestment Making.
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