Chalice Veil Orphrey Trim Part 2
The construction of Chalice veils has been a topic we’ve been looking at for the past few weeks on Ecclesiastical sewing.
Chalice Veil in Ecclesiastical Embroidery
In the past, Chalice veils were made in the same fabric as the vestment set. There are many photos of embroidered Chalice Veils from ages past. Today, the custom in some churches is to use a linen cloth with a cross embroidered on it as the chalice veil. There may be many reasons for the use of linen for a chalice veil, including care and laundering, and as a matter of expense. Adding a color-matching chalice veil can completely change the look of the altar from something ordinary to something special. Adding a chalice veil can be costly if purchased from a vestment house. However, making a chalice veil to go with the existing vestment set is easy if you follow the correct steps, and you can manage costs with careful planning of materials and supplies.
When the chalice veil for the Ash Wednesday set was originally planned, the thought was to apply a Passion Cross to the orphrey. The stitching on the Black Passion Cross was nearly completed, but my day job required additional hours that week. It was disappointing to be so close to completing the project, yet not being able to finish it the way it was originally intended. But, adjustments were made to have the vestments ready for service on Ash Wednesday.
Centering the Orphrey Design on the Chalice Veil
The orphrey trim for the chalice veil had already been planned and cut to size and position based on the use of the black Passion Cross. The idea was to place the black motif on a gold motif so it would be more visible. That was the plan and once the fabric was cut there was no going back. The center of the orphrey was located and matched to the center of the design on the black Fairford Fabric.
Attaching Orphrey Band
Once the centers are lined up properly between the orphrey and the base fabric, the layers are hand-basted in place. Notice the fuchsia basting stitches? They are large, but hold things in place in preparation for machine stitching. The problem with attaching orphrey trims is one of “take up” or shifting. Frequently, the orphrey may stretch or shift while stitching; and then it relaxes and draws up the base fabric, showing puckers that range from minor wrinkles and looking like a mess. One can pin pieces in place, but pinning often causes bubbles. So what does one do to prevent bubbles, puckering, shifting, and take up? Baste. But, you say, “I hate to handbaste anything!” Sometimes, this is a necessary evil to prevent problems down the road and to ensure everything stitches nicely.
Using Spray Adhesive
Still, saying no to the thought of hand-basting orphreys before machine stitching? An alternative might be to use a spray adhesive. While I have not tried this, I know of other vestment makers who use this or a similar product to hold the orphreys in place so they do not shift when machine stitching. Please use caution if you give this product a try, and test it on a sample before using it on your expensive fabric. Be sure to keep the spray on the back side of the orphrey and not on the face of the fabric. The advantage of the spray adhesive is that the fabrics can be repositioned.
Fusible Web
Other options such as fusible Web might also work, although they are not a favorite method of my choosing. Basting is fast and easy, less expensive, and works for me. The important thing is to find a method that works for you so the fabrics do not shift when applying the orphrey bands. One thought about the use of fusible webbing and adhesives: that thought relates to restoration. If a vestment has a great deal of hand work, hand embroidery, or the like, it might be best to hand-baste layers together, especially if the vestment is meant to last for a long time. If in doubt, it might be a good idea to check with a group such as the Royal School of Needlework on construction methods that will permit restoration for future generations.
Applying Dice Trim
Once the orphrey band is in place, the dice trim is placed over the edge of the band and stitched, using a walking foot or even feed foot on the sewing machine. The walking foot or even feed foot has little grips just like the feed dogs that come up from the bottom of the sewing machine and evenly move the fabric forward on both the top and bottom layer. This is another safeguard to minimize the chances of take-up or puckering.
Checking to Stitch
Once the stitching is completed on both sides of the orphrey and dice trim, the veil is laid flat and checked to ensure there are no signs of puckers or take-up. If everything looks good, the hand-basting stitches can be removed.
The final step remains for another evening.
Until then,
Solo Dei Gloria
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