We’re thrilled to announce the launch of our linen kit for the upcoming Sacred Heart project in collaboration with ClaraStitching. Download your free printable patterns from the provided Dropbox link and note that only fifty linen kits are available, so act fast! Clara Stitching will be hosting a free hand embroidery class on June 15th; sign up for updates via her forum link.
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Join our Sacred Heart Month collaboration with Clara Stitching! Get a free Chalice Pal Pattern, grab discounted sewing kits (limited to 50), and don’t miss Clara’s free embroidery class on June 15th. Follow Clara on social media for updates!
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The slate frames are hand-crafted by our master finish carpenter in Montana. The frames are currently made using Hickory Wood. The wood has a lovely color and sands to a smooth satin finish. The slate frame helps keep your linen fresh and tidy as you work through your project.
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The use of a rose has been common sense since the 13th Century and is frequently used in Gothic wood carving as well as in hand embroidery. The Messianic rose can take on many forms. The design is part of a collection of vintage embroidery designs that date back to the late 1870s.
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Ecclesiastical Sewing has a request to identify an embroidery design on a UK church’s altar frontal. The only clue is a label mentioning Thomas Brown and Son of Manchester, known for church embroidery in the early 20th century.
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Discover the beauty of needlework at the EGA Traveling Exhibit, “Through the Needle’s Eye.” Running from January 17 to March 30, 2019, at Stevens History Museum in Morris, MN, the exhibit celebrates both traditional and contemporary embroidery. It’s a great opportunity to be inspired by the artistry of needlecraft, whether you’re an experienced embroiderer or just curious.
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A scrollwork cross. The cross is a creation taken from part of the vintage embroidery designs. This cross is similar to many vintage hand embroidery designs. Satin stitch would be nice around the center diamond shape and the four dots just outside of that. The Scrollwork could be an outline or stem stitch or trailing stitch. The tiny tendrils could be back-stitched or a small stem stitch. The three clover shapes at the cross ends could be stem stitched and filled with seed stitch or satin stitched. The very center of the large diamond could also be filled with seed stitches. It would take only about 3 or 4 stitches to work this little design up.
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The countless hours of restoration for the Crown of Glory design took place during the season of Lent. And in the end, The King of King’s design shines forth with joy at the dawning of Christmas and Easter morn.
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Fleur Cross Liturgical Embroidery Design
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Creating new hand embroidery designs for Church Vestments and church linens.
– The Fleur de lis which symbolizes purity and often represents the Trinity. The Virgin Mary and the angel Gabrielle are also represented by the Fleur de lis. This particular design is also reminiscent of the pomegranate.
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Featuring the Habsburg Splendor Exhibit at the Minneapolis Institute of Arts, a showcase of exquisite goldwork embroidery. Don’t miss some pieces, including suits of armor, tapestries, curiosities, and renowned paintings by artists like Caravaggio and Hans Holbein. Visit the intricate details on the Minneapolis Institute of Art’s webpage for a closer look at this splendid collection.
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The IHS Lenten Design, taken from a detailed border pattern, offers versatility. The stylized floral elements converted into letters make an interesting stand-alone element. It can be stitched with subdued threads for Lent or with goldwork threads and silk floss for a shimmering effect, symbolizing the glory of the Resurrection. With two available sizes, this design is suitable for stoles, linens, pulpit falls, or even an altar frontal.
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This treasure comes from a rare copy of a German book that arrived over the Christmas Holidays. The original design is very small. When it is enlarged on a copier, the design loses definition and the pixels become an issue. This seemed appropriate as a first challenge with the graphics program. Lots of straight lines, a circle, and a few wavy lines for rocks.
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Nativity Ecclesiastical Embroidery Design created in 1874 by the architect of the Gothic Revival period John D. Sedding.
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The Red Cord was used to couch the Red Passing thread. It worked great from the start, for about 3 stitches. Then, as the metallic cord was pulled through the fabric, the cord separated, showing the white core.
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