Applying goldwork appliques for church vestments. Center the design, temporarily pin, and hand-tack the applique, using Japanese gold threads for couching. Choose a suitable needle and threads for a polished finish, adding beauty to your ecclesiastical embroidery.
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Designed in collaboration with Edward Riojas, the Luther Rose Brocade is a special liturgical fabric. It features the Luther Rose emblem and Patonce Cross, created through a meticulous weaving process for durability in goldwork and hand embroidery. Available in Red, Green, Blue, Violet, White, and Ivory, this exclusive fabric is offered at Ecclesiastical Sewing for creating unique church vestments.
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Good Friday Art: Private Collection by Carrie Roberts.
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Our Luther Rose Brocade features the Luther Rose Symbol woven into the fabric. Created by Carrie R. around the fall of 2016, it was designed for the 500th Anniversary of the Protestant Reformation. Inspired by her Patonce Cross and Luther Rose Symbol, Carrie collaborated with artist Edward Riojas to perfect the design. The fabric was then sent to England for production, resulting in this unique and meaningful brocade.
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Embroiderer’s knight in shining armor – a true workhorse and fatigue saver. The trestles are set up about wide enough to have a chair positioned between each stand. Then the dressed slate frame is placed over the rails of the trestle stand. These are an embroiderer’s dream come true. The trestle stands and slate frames are handmade in Montana for Ecclesiastical Sewing.
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In Church symbolism, many objects are used to help teach the message of Christmas. The Christmas Rose or Messianic Rose is a particularly gentle yet elegant symbol. Helleborus Niger is a perennial plant that can actually grow in warmer parts of the USA. It is found naturally in Europe, where it blooms in cooler climates from February, but in warmer areas, it blooms as early as Christmas. This delicate white flower blooms from luscious evergreen foliage.
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Ecclesiastical Sewing, offering a nice range of assorted fabrics in a wide range of price points for use in making church vestments and altar hangings. Our liturgical Brocade, Damask, Lurex brocades, and Tapestry Church vestment fabrics are imported from the United Kingdom. The designs and patterns used in the fabrics come from a wide range of sources, which include historical paintings, fabrics, and Frescoes. Other fabric designs are patterns that were created by well-known church designers in the 19th and 20th centuries.
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We have a brocade-on-brocade product line and a product line featuring our new embroideries. The brocades we chose are Fairford and Fairford Two-Toned. These have an uncomplicated design paring. The simplicity of design matching is needed when you see the color! The colors, these are eye-catching and mouth-dropping.
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When creating vestments for the House of the Lord, one should always begin with the advice of a pastor. A good place to start is with meaningful symbols that can be used to teach the faith. Things like the Cross, Holy Communion, the Creeds, Prayer, Baptism, Confession, Key to the Kingdom, Holy Monograms, and so forth are appropriate symbols to start with. The symbols can be simple, and in many places that creates a comfort zone. The symbols can also be a bit more elaborate. That sometimes gets beyond the comfort zone of some and into unfamiliar territory for others.
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The slate frame, available in various sizes, creates a secure foundation for embroidery, with fabric tightly stretched using twill tape and lacing. To make the embroidery process more comfortable, trestle stands hold the slate frame at an adjustable height, allowing for hands-free stitching.
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Ecclesiastical Sewing’s newest release of the “Stole Style #3 in the Luther Rose Brocade” is a good example. It is not simply gorgeous – it is confessional. The embroidery is not a random collection of pretty designs. In this case, they are symbolic of the Six Chief Parts.
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A scrollwork cross. The cross is a creation taken from part of the vintage embroidery designs. This cross is similar to many vintage hand embroidery designs. Satin stitch would be nice around the center diamond shape and the four dots just outside of that. The Scrollwork could be an outline or stem stitch or trailing stitch. The tiny tendrils could be back-stitched or a small stem stitch. The three clover shapes at the cross ends could be stem stitched and filled with seed stitch or satin stitched. The very center of the large diamond could also be filled with seed stitches. It would take only about 3 or 4 stitches to work this little design up.
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The fabric is block-cut to a rough size, review the embroidery design and dimensions determine the embroidery placement, and locate the center. Once the center position is determined, use a product called Dream Weave Ultra and fuse that to the back of our fabric. Dream Weave Ultra is a fusible tricot that adds a bit of body to a piece of fabric. Dream Weave comes in two weights – the regular, and the Ultra. Used both but prefer the Ultra for our embroidery work. Dream Weave should never be used as a stand-alone backing for embroidery.
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The countless hours of restoration for the Crown of Glory design took place during the season of Lent. And in the end, The King of King’s design shines forth with joy at the dawning of Christmas and Easter morn.
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First project, a set commemorating the 500th Anniversary of the Lutheran Church. There will be Luther’s Seal, along with the Six Chief Parts, and the VDMA Cross – a device used by the Hanseatic League back in Luther’s day. The four letters of that cross are shorthand for “The Word of the Lord endures forever”.
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