The Royal School of Needlework has an exhibit titled: ‘For Worship & Glory’ taking place at Chester Cathedral, 3 – 28 February 2016. The highlight of the exhibit is six pieces of the famous Litany of Lorento embroideries, which were donated to the Royal School by the nuns from the now-closed Convent of the Holy Child in Mayfield East Sussex.
Reading about techniques from church embroidery and church vestment books.
Ecclesiastical Sewing and Church vestment-making news from around the internet.
Happy New Year from Ecclesiastical Sewing! After a busy month of home remodeling and wedding preparations, the workroom turned into a wedding hub. From groomsmen alterations to bridesmaid dresses and vintage veil restyling, it was a flurry of activity. The remodeled space is now organized and lovely!
Within the Lutheran Church-Missouri Synod, red is the traditional liturgical color to be worn for installation service. And look at all of the lovely red stoles! Within our church body, it is tradition for pastors within the local circuit to attend the installation service of a brother pastor. At this installation service, there were a total of seventeen pastors vested in red stoles! There is a wealth and abundance in the variety of pastoral stoles.
Finished Fairford Black/Gold Pastoral Stole, a farewell gift for our pastor. This stole is perfect for Ash Wednesday and Good Friday. The black silk dupioni and Fairford brocade orphrey bands in black/gold create a stunning look. with a budget-friendly materials like silk dupioni and the beautiful St. Benet braid trim. Added a cross and chain for the finishing touch.
The Orphrey bands for the altar frontal will be cut from St. Hubert Gold/Gold. St. Hubert is a brocatelle Ecclesiastical Fabric originally designed by Sir Ninian Comper and produced by M. Perkins and Sons circa 1890. The fabric will be available on our new website shortly after the first of the year in several colorways, including Red/Gold, White/Gold, Blue/Gold, Black/Gold, and Gold/Gold as in the above photo. St. Hubert is one of my favorite go-to ecclesiastical fabrics. It cuts up well for use in orphrey bands. The above orphrey bands are approximately 7″ wide before adding any trims
Goldwork and stunning colors set this Annunciation design apart from many others. There is a lovely write-up and information on this Cope Hood on Needle ‘n Thread.
Pugin was a famous designer of churches and all of the needed furnishings in England in the early 1800s. He sadly died at the age of forty. But he has left a legacy of beautiful liturgical art. Pugin designed many items, including some stunning vestments. Today, the Victoria and Albert Museum houses a collection of his vestments.
Pastoral stoles with machine-appliqué motifs are in progress. Using pre-made machine-embroidered patches, the Gold St. Benet trim is chosen for a finishing touch. The appliqué is then stitched onto the stole.
Sewing galloon trim to orphrey bands for pastoral stoles. Pre-make orphrey bands by pinning galloon trim to the base fabric before stitching. Ensure the surged edge is halfway up the trim to avoid fraying. Use an even feed foot on the sewing machine to prevent puckering. Stitch close to the galloon edge, back-stitching at the start and end. Repeat for each orphrey piece, maintaining even stitching. Check the position of the fourth piece to ensure alignment. This method reduces puckers and ensures a polished look for your pastoral stole. Happy sewing!
The St. Benet Black/gold trim is an excellent choice for either colored stole, as is the Black Dice trim, or the Gold St. Paul Braid.
Fairford brocade offers two motifs: a pineapple and an ogee design. Choose the pineapple for the lower band and align it within selected cutting lines. Ensure minimal waste and use the ogee design for upper orphrey bands. Draw cutting lines with tailor’s chalk once satisfied with the design. Cut the motifs carefully, considering future usability of small fabric pieces.
Glossary of Ecclesiastical Ornament, Augustus Pugin refers to ornamented garments of this type worn by ancient Romans as auriclavae or clavatae. Tunics were ornamented with a band referred to as a clavus or clavi. The bands, which were often purple in color, were sewn onto tunics.
The amice, which is one of the first vestment pieces that a priest puts on when vesting. it has lace edging around the sides. When one looks at the care of the tiny pleats in the lace at the corners, and the way the lace follows the linen in the folds, one can not help but to think the lace is attached to the edge of the linen amice.
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