Before the Holidays, things usually were put away and kept neat and tidy in the sewing room. But somehow things changed over the past two weeks. In the bustle of the moment, things need to go somewhere to a room not in regular use in a rather small house – the sewing room.
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Book written by Marike van Roon, Head Curator at Amsterdam University as her dissertation was added to my library last summer and has become a favorite. Beginning at around the 1800s, the book lays out the history of European Ecclesiastical History through the 1960s. There is a nice mix of primary source material in the form of sketches and illustrations from texts and authors of the period, while stunning black and white, and color photography of actual vestments pieces
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Visiting the museum, display revealed a whitework embroidery fragments, including one with the words “Happy Feast!” and the date “1895.” The remnants were cut from a larger hand-embroidered linen tablecloth used by the Sisters, showcasing beautiful craftsmanship. Intrigued by the search for Ecclesiastical Embroidery, we were directed to Father, to know the promising revelations in the chapel.
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Starting with a plan for a quick cleanup, it evolved into a comprehensive overhaul of scattered Ecclesiastical Sewing and Embroidery ideas. What began as a simple task extended into organizing notebooks, sorting patterns, and creating a system. Nine 3-ring binders later, everything has its place, labeled and easily accessible. This newfound order brings joy, making it quicker to find project details.
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Organizing Ecclesiastical Sewing and Embroidery books has improved project efficiency. A dedicated bookshelf ensures quick access to references, enhancing workspace tidiness and productivity.
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Ecclesiastical Embroidery Design project for the Easter Pulpit Fall is underway. The linen is now framed up, and the pouncing and tracing will soon be complete. Utilizing the Millennium Frames from Needle Needs for the first time, a short video tutorial was a helpful guide. Framing proved a bit tricky with two layers—the Alabaster Linen from Hedgehog Handworks and a layer of Kona Cotton for backing and support. flipping the frame to the backside ensured proper alignment and support for the lining fabric.
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Making space for new projects in Ecclesiastical Sewing room. Creating a set of rose-colored church clothes for Advent and Lent. Using Florence and tapestry fabrics, making pieces like stole, chasuble, and more.
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Discovery for Ecclesiastical Sewing and Ecclesiastical Embroidery Design ideas on Pinterest. One of the discoveries found on Pinterest is the Mandala. not initially for Ecclesiastical use, but to inspire creative ideas.
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Creating various designs for Church Vestments remained a challenge. The Agnus Dei symbol aided in creating the pulpit fall, while inspiration from stained glass guided the design of the Altar Frontal. The quest for better designs spanned years, incorporating research, internet searches, and volunteer work. Gradually, more refined designs came to light.
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Early struggles in Ecclesiastical Sewing led to the first project, an Altar Frontal and Pulpit Fall set. The rush to meet deadlines resulted in noticeable mistakes, but the set, though flawed, was used for Easter and admired by non-sewers. Reflecting on the errors, aimed to improve skills and techniques in Ecclesiastical Sewing.
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Created new Altar Hangings for the church. The project included a black and gold Good Friday Pulpit Fall using traditional fabrics imported from the UK. The set is used on Ash Wednesday and Good Friday in the Lutheran Church-Missouri Synod.
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Ecclesiastical Sewing involves crafting Church Vestments and facing challenges in finding techniques and patterns. After years of searching and studying, knowledge about this nearly vanished art form has been gathered. Through Ecclesiastical Sewing, liturgical fabrics, patterns, and designs are shared with those passionate about Ecclesiastical Vestment Making.
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