The ongoing Advent Vestment Set faces challenges in couching stitches. The Silver Check Thread, with its non-tarnish finish, offers a sparkle and shine in following curves, holding edges, and concealing stitches. Despite awaiting additional thread supplies, the emphasis remains on completion rather than rushing, with the Ecclesiastical Embroidery project.
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In the Agnus Dei Ecclesiastical Embroidery Project, significant progress has been made on the upper sky. Using long-laid stitches and horizontal guide marks, the detailed stitching maintains parallel and straight alignment. Frequent thread changes are necessary due to the 6 1/2″ stitch width, but the process speeds up as intricate details around the cross are left behind. The joy of completing a major portion of the sky-laid work is evident, with two-thirds now finished.
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The update on the larger of the Agnus Dei pieces’ from The Tale of Two Lambs.
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The Ecclesiastical Embroidery Design for the Altar Frontal features the largest Lamb, measuring about 15″ in width. The sky is stitched in Royal Floss, a vivid blue from the Belding Brothers Company. Goldwork details use #4 Smooth Passing with Silk Core from Access Commodities. The design aims for a bright and radiant sky, symbolizing the glorious Resurrection.
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Starting with a small Agnus Dei hand embroidery design, The Tale of Two Lambs turned into two projects – in sizes small and large. Limited Ecclesiastical designs led to this traditional choice. The smaller Agnus Dei, at 8 1/2″, fits a chasuble’s back. As the project continued, minor changes improved the second design. The small lamb’s hill, initially stitched in camouflage green, became serene blue. Using Soie Ovale for the sky presented challenges, but the finished product was pleasing. Careful placement of gold passing thread helped secure the silk strands, enhancing the design.
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Tried a new embroidery stitch, feeling a bit scared. Sometimes, fear stops from starting. But taking a step, stitching, and learning are important. Each stitch is like a step toward getting better. It’s okay not to be perfect. The important thing is to keep trying, growing, and enjoying the journey.
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The inspiration for current Ecclesiastical Embroidery projects comes from Lucy Mackrille’s book, featuring the Victorious Angus Dei with a quatrefoil frame. The Italian Stitch, damascene stitch, and goldwork embroidery threads are used, drawing from a wealth of knowledge provided by Mackrille’s book and online mentors. The fear of trying new techniques diminishes with thorough reading and guidance.
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Making of the Littlest Lamb in The Tale of Two Lambs. Created on Alba Maxima linen from Hedgehog Handworks, this lamb comes to life with stitches and delicate shading. The linen provides a perfect canvas, and the project is stretched on an Evertite Frame. Various hand embroidery techniques, including long and short stitch shading, satin stitch, laid work, goldwork couching, split stitch, and stem stitch outlining, contribute to the lamb’s intricate details.
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“The Tale of Two Lambs” is about making special decorations for a church, like Easter cloths. At first, the results weren’t good so, learning more became the focus. The Angus Dei featuring two lambs—one small for a robe and one big for an altar cloth. The story is about learning and getting better at sewing with silk and gold threads, with more things to find out along the way.
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