Ecclesiastical Sewing is an ideal choice for quality liturgical fabrics, trims, and appliques. We work with the best manufacturers worldwide to bring you our handpicked selection of liturgical fabrics in a variety of colors, textures, and designs. Our fabrics range from rich brocades and silks to crisp cotton and linens, ensuring that we have the choice of material for every project and preference.
We know that quality materials are key to bringing your liturgical designs to life. That’s why we are committed to providing only quality materials for our customers. We carefully select our materials to ensure that they are not only beautiful but also durable. With our commitment to quality, you can trust that your finished products will withstand years with proper care.
In addition, our trims and appliques enhance intricate designs and fine craftsmanship, adding texture and dimension to any project. Whether you’re looking to create a new vestment or altar cloth, our selection of trims and appliques will take your designs to the next level.
Don’t wait any longer to elevate your liturgical designs. Shop with us today and experience the difference that quality materials can make. With our selection of liturgical fabrics, trims, and appliques, you’re sure to find the perfect materials to bring out your real ideas. Moreover, our commitment to quality ensures that your finished products will exceed your expectations. For an even more personalized touch, we also provide custom embroidery suggestions. Consider Ecclesiastical Sewing to assist you in fulfilling your liturgical dreams!
Pugin was a famous designer of churches and all of the needed furnishings in England in the early 1800s. He sadly died at the age of forty. But he has left a legacy of beautiful liturgical art. Pugin designed many items, including some stunning vestments. Today, the Victoria and Albert Museum houses a collection of his vestments.
Pastoral stoles with machine-appliqué motifs are in progress. Using pre-made machine-embroidered patches, the Gold St. Benet trim is chosen for a finishing touch. The appliqué is then stitched onto the stole.
Sewing galloon trim to orphrey bands for pastoral stoles. Pre-make orphrey bands by pinning galloon trim to the base fabric before stitching. Ensure the surged edge is halfway up the trim to avoid fraying. Use an even feed foot on the sewing machine to prevent puckering. Stitch close to the galloon edge, back-stitching at the start and end. Repeat for each orphrey piece, maintaining even stitching. Check the position of the fourth piece to ensure alignment. This method reduces puckers and ensures a polished look for your pastoral stole. Happy sewing!
The St. Benet Black/gold trim is an excellent choice for either colored stole, as is the Black Dice trim, or the Gold St. Paul Braid.
Fairford brocade offers two motifs: a pineapple and an ogee design. Choose the pineapple for the lower band and align it within selected cutting lines. Ensure minimal waste and use the ogee design for upper orphrey bands. Draw cutting lines with tailor’s chalk once satisfied with the design. Cut the motifs carefully, considering future usability of small fabric pieces.
Glossary of Ecclesiastical Ornament, Augustus Pugin refers to ornamented garments of this type worn by ancient Romans as auriclavae or clavatae. Tunics were ornamented with a band referred to as a clavus or clavi. The bands, which were often purple in color, were sewn onto tunics.
The amice, which is one of the first vestment pieces that a priest puts on when vesting. it has lace edging around the sides. When one looks at the care of the tiny pleats in the lace at the corners, and the way the lace follows the linen in the folds, one can not help but to think the lace is attached to the edge of the linen amice.
The design motif for the Advent stole is a simple star worked in Cloth of Silver. This simple design would be great to work with an embroidery patch and heat press system. The stars are outlined with a satin stitch, and detail stitches are added in the centers. A few additional stitching lines may be added to create the rays that “shine on the place where the Christ Child lays.
Wakefield employs several design details with the combination of different thread tones, textures, and colors.
An assortment of linens has arrived, perfect for creating altar linens. From lightweight cambric for sheer veils to fine linens ideal for intricate needlework, There’s even linen suited for making traditional Albs, and a range of yarn sizes perfect for hemstitching. Also with various widths, starting from 54 inches and going up to 120 inches.
Venezia is a lovely name for a liturgical fabric. It conjures up thoughts of foreign lands with such a name, and so it should. Venezia’s name is tied to the Venetian artisans of long ago. The 15th-century Venetian artisans, who drew much of their design influence from the ancient Romans, developed a taste for reproducing many of the classical architectural features from that era. Those features include the use of graceful lines, the classical form of the pottery or jar, in the jardiniere, as well as other design elements such as the birds, plants, and scroll work.
Linen is an amazing fiber, which results in a unique fabric, perfectly suitable for use in the making of altar linens and church linens.
The fringe is a group of yarn, bundled together and held in place with several rows of stitching at the top edge. The lower edge has a chain stitch which holds all of the cut ends in place until the fringe is applied.
Thinking about a special Christmas project with white and gold colors. Considering silk with gold trim or metallic fabric for the budget friendly project.
Brocade: Heavy fabric with raised designs woven on a jacquard loom, suitable for liturgical items like stoles and chasubles. And Damask: Reversible fabric with intricate designs, woven on a jacquard loom, creating a shiny background. Often made from silk, cotton, wool, or rayon.
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