Welcome! For those new to crafting church vestments, our beginner-friendly Carlisle fabric is perfect. It’s durable, wrinkle-resistant, and easy to handle, making it ideal for albs, surplices, chasubles, and more. Carlisle is versatile, affordable, and comes in various colors like White, Ivory, and shades of Green and Purple. Visit Carlisle Fabric to learn more and order swatch samples.
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For great-looking vestments, use quality interfacing inside. Choose materials like Dowlas linen, French Micro Twill, and Silk Organza for stoles. Use pre-shrunk white cotton canvas for medium-weight support. For altar frontals, pick Dowlas or various weights of cotton canvas. Opt for Silk Dupioni, Satin Lining, or Cotton Sateen for lining, with dress-weight satin being versatile, Silk Dupioni serving dual purposes, and Cotton Sateen minimizing slipping in stoles.
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A DIY stole can be a truly special gift. We hope to help you make a stole that will serve your pastor, priest, or deacon for many years to come. Here at Ecclesiastical Sewing we have the top 10 materials for your DIY stole-making projects!
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There are so many options to have beautiful vestments and paraments to be part of the worship life at your church. To know more here are our tips for Sewing Church Vestments and Linens: 10 Tips for Success!
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The religious brocade that we are considering today is the regal St. Margaret Liturgical Brocade fabric. This is a fabric created for use in church vestments. The design is masterfully created around the motifs of a large Tudor Rose and a Crown. Both are interspersed with vines and other floral motifs which create the impression of a large and grand pattern.
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Ecclesiastical Sewing offers a special collection of white and gold liturgical fabrics for Lent and Good Friday. With unique patterns, including crosses and shimmering lurex threads, these fabrics are ideal for making chasubles, copes, altar hangings, and banners. The limited-time collection is perfect for churches with budget and provides an opportunity to create beautiful vestments for the seasons of the liturgical calendar.
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The fabrics can be a range of tapestry fabrics such as the stunning Aragon Tapestry with its large Jardinière design, Brocatelles such as Wakefield or Evesham Liturgical fabric. These are all lovely fabrics that can be used to make an entire vestment, or they can be cut and used for accents on other vestments. The size and scale of each of these fabrics allow for limitless options to fuel one’s imagination. These fabrics has shimmering threads woven into the intricate designs which adds so much to the beauty of the final vestments.
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Violet is a favorite color that is used once or twice during the church year. The seasons of violet are Advent and Lent, the Penitential Seasons. Many other colors fall under the “umbrella” of the Penitential color Violet. These include Roman purple, rose, and blue. Black and scarlet may also be included in the group of colors. Violet has been used for a long time as a color for church vestments.
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Ecclesiastical Sewing was centered around materials for sewing Ecclesiastical items. We have since been blessed with the ability to make finished vestments and paraments for sale. But we want to make sure we encourage inspiring seamstresses and tailors to use their talents for their churches and clergy. This art form must continue to be passed on and be available for future generations. The best way to begin the journey of ecclesiastical sewing is to make a stole. Instead of buying fabric, canvas, and lining separately, we offer the right amount of all three to create a stole.
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These fabrics often showcase medium to large patterns, like the Aragon Tapestry with its Jardinière design or Brocatelles such as Wakefield and Evesham. They are versatile for creating entire vestments or using cut pieces as accents. The size and scale offer endless possibilities, and shimmering threads woven into intricate designs enhance the beauty of the final vestments.
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Our Liturgical Brocade Fabrics have been designed and woven by the same company in the United Kingdom for over 140 years. The patterns used in many of the Liturgical Brocade and damask fabrics come from historic sources such as paintings, frescoes, or paintings of vintage textiles. The top designers of the late 1800s, such as Sir Ninian Comper, created several fabric patterns that are still in production today.
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Each fabric is beautiful in its own special way, be it color, pattern, texture, or drape. Each has characteristics that lend it to be the perfect liturgical fabric for special use. The fiber contents are as varied as the patterns, fabrics, and weaves. The price points range from moderate prices for churches on a budget, to exclusive silks and cloth of gold fabrics intended for unique and special sacred vestments. There are solids, piece-dyed, and yarn-dyed fabrics, brocades, metallics, plain weaves, and crisp linens that range from the brightest whites to the deepest and richest violet, and the warmest and richest golds and vibrant reds.
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