Reading time from Ecclesiastical Embroidery with Grace Christie’s book, ‘Embroidery: A Collection of Articles on Fine Needlework.’ Explore a 14th-century red cope from the Butler Bowden Family, adorned with pearls and a charming lion’s head. Learn about the cope’s survival through history, now in the Metropolitan Museum. Discover the use of precious stones in Ecclesiastical Embroidery and the unique Opus Anglicum technique. Let this book be your companion on a stormy night.
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Visiting the museum, display revealed a whitework embroidery fragments, including one with the words “Happy Feast!” and the date “1895.” The remnants were cut from a larger hand-embroidered linen tablecloth used by the Sisters, showcasing beautiful craftsmanship. Intrigued by the search for Ecclesiastical Embroidery, we were directed to Father, to know the promising revelations in the chapel.
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Starting with a plan for a quick cleanup, it evolved into a comprehensive overhaul of scattered Ecclesiastical Sewing and Embroidery ideas. What began as a simple task extended into organizing notebooks, sorting patterns, and creating a system. Nine 3-ring binders later, everything has its place, labeled and easily accessible. This newfound order brings joy, making it quicker to find project details.
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Summer travels brought unexpected surprises for the Ecclesiastical Sewing family in Montana. A visit to the Ursuline Center revealed a hidden treasure—a Sister’s art studio in the tower, showcasing two hand-painted Ecclesiastical Banners. One banner displayed signs of age with faded beauty, intricate details, and gold bullion fringe. The banners’ origin and age are unknown, making them even more intriguing.
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Weekend thoughts on Church Sewing: Looking at a Chalice Veil design from “Design for Church Embroidery” by R.A. Alethea Wiel. It has an Agnus Dei and four angels, each symbolizing something. The balanced design, shapes, and careful placement make it beautiful. Thinking about its artistry makes us wonder about true beauty in modern designs and what we can learn. Also, seeing the design in Or Nue embroidery on different platforms adds a touch of history.
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The inspiration for current Ecclesiastical Embroidery projects comes from Lucy Mackrille’s book, featuring the Victorious Angus Dei with a quatrefoil frame. The Italian Stitch, damascene stitch, and goldwork embroidery threads are used, drawing from a wealth of knowledge provided by Mackrille’s book and online mentors. The fear of trying new techniques diminishes with thorough reading and guidance.
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Receiving new Ecclesiastical Embroidery books among them is “Design for Church Embroidery” by R.A., Althea Wiel, originally published in 1894. This treasured book, now republished, offers a glimpse into historical Ecclesiastical vestment designs. One notable design, intended for a chalice veil, intricately symbolic of Christ, His Sacred Heart, and symbolic elements like grapes and vines. Another design features a simple yet elegant cross adorned with ivy leaves, suggesting color choices for stitching. These designs provide a valuable connection to the artistry of the past in Ecclesiastical Embroidery.
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Old Books Make Great Reads: Discovering the rich history of Opus Anglicanum through the pages of vintage books, details of Ecclesiastical Embroidery and Altar Frontals. These treasures provide insights into the origins of vestments, such as the chasuble and alb, and their evolution over centuries.
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Welcome to Ecclesiastical Sewing! This site is dedicated to a passion for designing and creating Church Linens, vestments, and ecclesiastical embroidery projects. With a background in costume design, there’s exploration of couture and custom sewing techniques for Church Vestments. Stay tuned for updates on ongoing projects, Ecclesiastical Embroidery Designs, and tips for creating your own Church Vestment Projects.
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