This little dove is a hand-embroidered applique that is ready to be applied to a vestment or altar hanging. The Dove is made from an assortment of goldwork threads such as bullion, passing thread, and purl pearl. The feet and nimbus rays are made from embroidered threads. This little dove is heavily padded to create a high relief. The size is 4.5″ x 7″ which is a bit wide for a stole, but perfect for use in a quatrefoil frame for use on a chasuble or used on an altar hanging.
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My go-to linen of choice is Renaissance Linen. Renaissance Linen is a lovely white Irish linen that is 60 inches wide. It has threads that can be pulled if one would like to hemstitch. This linen is a lovely weight for hand and machine embroidery. Renaissance is lovely enough to use for both everyday linen as well as for linen set aside or dedicated for use on festival occasions. Renaissance is an affordable linen. At 60 inches wide, one can easily get most fair linens out of a length and have plenty of linen remaining for use as small altar linens.
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The religious brocade that we are considering today is the regal St. Margaret Liturgical Brocade fabric. This is a fabric created for use in church vestments. The design is masterfully created around the motifs of a large Tudor Rose and a Crown. Both are interspersed with vines and other floral motifs which create the impression of a large and grand pattern.
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The Madonna and Child Goldwork Emblem is to be used on the back of a white Gothic chasuble. The chasuble is designed using our classic Gothic Chasuble Pattern cut with “Y” orphrey bands. The Virgin and Child design uses goldwork embroidery and colored thread embroidery embellishments on a hand-painted design. This Embroidery Design has a great deal of detailed work and requires care when applying it to a church vestment.
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The Lenten Season is a time of year when black vestment fabrics are worn. The use of black will depend on which rites a church follows, but it is not uncommon to use black for Ash Wednesday as well as for Good Friday. This black brocade with a circle and cross motif has a nice weight and hand. It would work great if black hangings such as plain black banners were needed to drape in a church to create a somber mood for Good Friday. The fabric could also be used for any variety of church vestments and hangings.
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The fabrics can be a range of tapestry fabrics such as the stunning Aragon Tapestry with its large Jardinière design, Brocatelles such as Wakefield or Evesham Liturgical fabric. These are all lovely fabrics that can be used to make an entire vestment, or they can be cut and used for accents on other vestments. The size and scale of each of these fabrics allow for limitless options to fuel one’s imagination. These fabrics has shimmering threads woven into the intricate designs which adds so much to the beauty of the final vestments.
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Ecclesiastical Sewing, offering a nice range of assorted fabrics in a wide range of price points for use in making church vestments and altar hangings. Our liturgical Brocade, Damask, Lurex brocades, and Tapestry Church vestment fabrics are imported from the United Kingdom. The designs and patterns used in the fabrics come from a wide range of sources, which include historical paintings, fabrics, and Frescoes. Other fabric designs are patterns that were created by well-known church designers in the 19th and 20th centuries.
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We have a brocade-on-brocade product line and a product line featuring our new embroideries. The brocades we chose are Fairford and Fairford Two-Toned. These have an uncomplicated design paring. The simplicity of design matching is needed when you see the color! The colors, these are eye-catching and mouth-dropping.
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Liturgical brocades like St. Aidan and Cloister. These fabrics, ideal for both church vestments and academic wear, offer a subtle yet elegant design. St. Aidan comes in various colors corresponding to church seasons and academic degrees, while Cloister features a thistle and rose motif. These piece-dyed brocades are suitable for pastoral stoles and chasubles, allowing for creative design details like lightweight embroidery or orphrey bands.
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Gaudete Sunday, the third Sunday of Advent, is known as the “other” rose Sunday. While Advent is a preparatory, penitential, and contemplative season, Gaudete Sunday provides a reprieve from solemnity with lighter readings and the joyous sight of rose-colored vestments, a break from the usual dark blue, purple/violet, or black.
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Glastonbury Brocade, originally designed by William Perkins around 1890 A.D., features a Rose and a Crown of Thorns. Legend has it that Joseph of Arimathea visited Glastonbury, England, in the first century and planted a thorn tree on Wearyall Hill. Clippings from the original tree, cut down during the English Civil War, were used to replant a new tree in 1951. This thorn tree is a symbol of interest for both Pagans and Christians, flowering around Easter and Christmas. With a small pattern repeat, Glastonbury Brocade carries a rich heritage and has been widely used for many years.
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Advent is the first season in the liturgical calendar and it is a season of preparation for celebrating Christ’s birth. It also reminds us to look ahead to the promised return of our Saviour. And as we look forward to this wonderful time, we also look inward at our own personal state, which leads to repentance. This is where the color purple, perhaps a lovely violet shade, is most appropriate.
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The Fabric chosen for the Dossal is the lovely and rich Litchfield Brocade with Red/Gold Fairford orphrey bands edged with Landsdowne Braid. These fabric and trim combinations create a stunning final result that has added beauty and color to the church.
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April Goal – To sew a Gothic Chasuble. there are two Gothic Chasuble patterns, each is a slight variation. Constructing one of the variations of the Gothic Chasuble. The chasuble marked by its long sleeves. An oval or circular in shape if it were to be spread out flat on the floor. Draping over the priest or pastor, almost poncho-like in resemblance.
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The Luther Rose Liturgical Brocade Fabric, borne from collaboration and inspiration, symbolizes the 500th Anniversary of the Reformation. Designed with Patonce Cross and Luther Rose Emblem motifs, the fabric captures a distinctly Lutheran essence. The design with the guidance of skilled partners, including Edward Riojas, who added a vine motif. The result is a richly symbolic fabric, a testament to the dedication and support of those involved in its creation.
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