Making Priest or Pastor Stoles involves overcoming tricky parts. With Silk Shantung fabric, the challenge is its semi-transparency. To address this, underlining with unbleached muslin is presented. Orphrey size and placement are determined using the cutting table grid, following the design rule of “threes” for visual appeal. Now comes the tricky part: the lower edge of the stole. A geometry lesson and a protractor lead to marking angles and folding techniques, simplifying the process and making stole ends more enjoyable to finish.
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Ecclesiastical Sewing takes a break from finishing the Monk’s Habit to brainstorm Advent Altar Hanging and Pulpit Fall Ideas. Current hangings are deemed unsatisfactory, prompting a plan for an interim Advent Set using machine embroidery on Silk Dupioni fabric. The proposed design includes stars, Alpha and Omega, and Chi-Rho symbols. Time constraints pose a challenge, but the aim is to complete the project using a beautiful blue Silk Dupioni fabric and possibly incorporating Silver Elizabethan Twist thread for added shimmer.
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Ecclesiastical Sewing created Rose Vestments for Gaudete and Laetare Sundays. The set included an Altar Frontal, Pulpit Fall, Stole, Maniple, Chasuble, and optional Chalice Veil and Burse. Fabrics like Rose Florence Brocade and Verona Lurex Tapestry with symbolic bird motifs were chosen. The Altar Frontal featured intricate Ecclesiastical Embroidery. The Verona Tapestry’s rich design minimized the need for extensive embroidery, with selected trimmings completing the set.
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Choosing fabrics for Ecclesiastical Sewing involves factors like season, budget, and project duration. Silk Dupioni and cost-effective options suit various vestment pieces. True Ecclesiastical Fabrics like Fairford and Wakefield, though pricier, offer quality and durability. Their longevity justifies the investment, making the cost minimal over the Vestment’s service life.
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Pattern repeats in Ecclesiastical fabrics might sound scary, but fear not! Let’s take a lovely brocade, like the Florence from the UK. It’s got motifs like floral stars and stylized flowers. The key is the “pattern repeat.” For Florence, it’s 14 1/2″ both lengthwise and widthwise. So, if you start at a point on a motif and follow it until you hit the same point on the next identical motif, that’s one repeat. Simple! It’s like a beautiful puzzle waiting to be solved.
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Making space for new projects in Ecclesiastical Sewing room. Creating a set of rose-colored church clothes for Advent and Lent. Using Florence and tapestry fabrics, making pieces like stole, chasuble, and more.
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