Ecclesiastical Sewing is an ideal choice for quality liturgical fabrics, trims, and appliques. We work with the best manufacturers worldwide to bring you our handpicked selection of liturgical fabrics in a variety of colors, textures, and designs. Our fabrics range from rich brocades and silks to crisp cotton and linens, ensuring that we have the choice of material for every project and preference.
We know that quality materials are key to bringing your liturgical designs to life. That’s why we are committed to providing only quality materials for our customers. We carefully select our materials to ensure that they are not only beautiful but also durable. With our commitment to quality, you can trust that your finished products will withstand years with proper care.
In addition, our trims and appliques enhance intricate designs and fine craftsmanship, adding texture and dimension to any project. Whether you’re looking to create a new vestment or altar cloth, our selection of trims and appliques will take your designs to the next level.
Don’t wait any longer to elevate your liturgical designs. Shop with us today and experience the difference that quality materials can make. With our selection of liturgical fabrics, trims, and appliques, you’re sure to find the perfect materials to bring out your real ideas. Moreover, our commitment to quality ensures that your finished products will exceed your expectations. For an even more personalized touch, we also provide custom embroidery suggestions. Consider Ecclesiastical Sewing to assist you in fulfilling your liturgical dreams!
Lichfield Liturgical Fabric features two main motifs: a Fluer Cross and a Tudor Rose. Both motifs are roughly the same size, also a trailing vine that surrounds the rose. The plan for Lichfield is to make several pastoral stoles and a chasuble – Pattern matching with liturgical vestment.
The amice is the first garment to be put on by a priest. It is worn on the head, while he offers up prayers and intercessions, and then he continues to dress. After the alb is put on, the amice is pushed off his head and worn around his neck as a collar. The long cords of the amice are then tied around the alb under the arms, crossed around the back, and brought back to the front to be tied. All this being said, there are instances when the amice is kept upon the head for practical reasons: such as warmth during a processional or in a particularly drafty church.
The fabrics, from bottom to top, are York Brocade – Ivory, Winchester Brocade – Purple, Fairford Brocade – Bridal White, Ely Crown – Gold, Fairford Brocade – Purple, Fairford Brocade Ivory, Fairford Brocade Gold, Fairford Brocade – Blue/Gold, and Winchester Brocade- Ivory. These durable fabrics are well-suited for making pastoral stoles, designed to withstand the demands of hand embroidery. With a higher thread count and dense weave, they offer both durability and weight, ensuring the stoles hang straight and stay in place during use.
The capital of Montana is Helena. The cathedral’s entrance features impressive stone carvings, and the interior is grand with rich burgundy tones, metallic gold paint, and brass fixtures. The stained glass windows, numbering over 75, exhibit meticulous detail, resembling painted scenes with fine facial features, expressive eyes, and a heavenly gaze.
Fair Linens are hand hemmed with a simple slip stitch worked in even tiny stitches. The quality of the hand hemming is determined by the number of stitches made in each inch of length, as well as the evenness of the stitching. To aid in obtaining even, tiny stitches, use a single strand of fine cotton thread such as YLI Heirloom Thread which is a 100/2 size, or a similar fine sewing thread.
Evesham is a metallic brocade, which is difficult to capture in photos. There is a tiny glimmer of metallic threads that outline the ogee motif. As much as I like the Red and gold color combination of Evesham. The lovely white gold version of Evesham that is so very lovely in soft candlelight. The white gold is a lovely choice for Christmas and Easter Celebrations.
Cloister is a reversible symbolic pattern that dates from around the year 1900. If one looks closely, it is easy to see the two main design features of the Scottish Thistle and the English Rose which were popular at that time. Cloister is a lighter-weight ecclesiastical fabric that would work well for making stoles, chasubles, tunics, dalmatics, chalice veils, and other vestment pieces. Cloister would work well with machine embroidery when the proper stabilizers and backings are used.
Spring travels led to St. Leo Monastery in Florida, a serene retreat with a beautiful chapel set against a lake. The exterior’s simplicity contrasts with the rich terracotta stone and tile color, a wall side lining hanging with tapestry fabric in deep reds, rusts, golds, and terracotta. The chapel’s design, statues, and fabric create a peaceful atmosphere for prayer. Despite being a brief visit, the monastery left a lasting impression, showcasing the beauty found in both vestments and architectural details.
St. Aidan is a small reversible liturgical fabric that features an English Rose and vine pattern. The pattern repeat is 8″ which makes it an easy fabric to work with for those who are just starting out with pattern repeats, as well as being a favorite fabric choice for the seasoned vestment maker. St. Aidan is suitable for making stoles, chasubles, chalice veils, burses, dalmatics, and tunics as well as for other small vestment items. St. Aidan would also work for smaller altar hangings.
St. Hubert is ideal for orphrey bands, stoles, altar frontals, copes, dalmatics, tunics, and chasubles. Paired with Ivory Lurex St. Margaret, it creates a festive frontal for Easter, Christmas, and New Year’s weddings. The orphrey bands and superfrontal feature the gold/gold St. Hubert Liturgical Brocatelle Fabric, edged with a gold oak leaf gallon. The ivory/lurex St. Margaret adds a unique touch with subtle gold threads weaving Tudor Rose and Crown designs.
Just as we await the dawn and full light of day to behold the Resurrection, Evesham bursts forth in full light, bright and radiant as we behold the Joy of the Resurrection.
The fabrics selection on this project is St. Margaret in the Ivory Lurex color and St. Hubert in the Gold/Gold color. Oak Leaf gallon was used to edge the orphrey, and a metallic gold thread fringe graces the lower edge of the superfrontal and frontal. The superfrontal is made entirely from the Gold/Gold St. Hubert with the metallic gold fringe as the only adornment. The frontal is made using St. Margaret as the base fabric, with orphreys of St. Hubert in Gold/Gold with the 1-inch wide Oak Leaf galloon used to finish the edges.
Aragon is a gem of a liturgical fabric. It has a large-scale design, or rather, several large-scale designs that make it an extremely versatile fabric to use for making church vestments. The main design feature is an elaborate Jardiniere which contains floral elements. The story behind the birds is that they are mediators between heaven and earth. Their blue and white coloring blends beautifully with the rich red and green floral elements.
Reversible Wakefield is a stunning Metallic Ecclesiastical Fabric – a brocatelle. This liturgical fabric features an elaborately textured weave that adds depth and dimension to the design details.
Exciting news! Ecclesiastical Sewing is now open for online shopping! Discover our collection of ecclesiastical embroidery and sewing supplies. Happy shopping!
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