Renaissance Altar Linen – 100% Irish Linen fabric, which is 60″ wide. It feels like a vintage altar linens as it has similar weight and weave. This linen has a nice hand and body and presses well. Small altar linens and altar Fairlinens are made from this pristine white Irish Linen fabric.
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Our new 4 1/2″ pastoral stole has a guideline for cutting stole orphreys for use at the lower edge, as well as for use on the upper chest. The orphrey size and guideline placement have been developed based on the design rule of thirds and by years of practice. Now, these placement and cutting sizes are “guidelines” and are not meant to take the place of checking to verify that the placement works for each and every situation. They are intended to help create a sense of balance and proportion when making a pastoral stole, by providing a starting point for the placement of orphrey bands or appliques.
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Advent, the first season in a new church year, and Lent are penitential seasons – a time of reflection and a time to focus on the fulfillment of a promise. Color is used within the church to remind us that Advent and Lent are Penitential Seasons. Violet or Purple are the colors used during these seasons of the church year. Under the heading of purple or violet, come a few other colors. Rose is the color used in the third week of Advent and the fourth week of Lent to remind us of the slight change in the reading that has a lighter meaning.
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Ely Crown is a fabric design that has been around for a long period, yet this pattern is classic enough in its simplicity and beauty to be loved still today. There are two design motifs of the floras and crown, surrounded by an intertwining vine pattern. The above image is a copy that dates to the late 1800s or early 1900s which is made from Ely Crown. The cope is still in excellent condition and is still in use in the cathedral, although there are some signs of wear in the silk fibers in a few spots.
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Ivory York Liturgical Brocade, a subtle, but lovely fabric, is featured in this photo. The cotton is used as interfacing for pastoral stoles. One could also use hair canvas such as that used in tailoring, but it is often difficult to locate and can be expensive. The canvas that is 100% Cotton in medium to heavy weight is my favorite interfacing of choice for providing needed body, weight, and stability to a pastoral stole. Satin lining is included with all stole kits and is in a matching or contrasting color.
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We have a wide range of fabrics available in our pastoral stole kits: there are liturgical brocade fabrics, metallic brocades, silk dupioni fabrics, and tapestry fabrics to name a few. All of the liturgical colors are available from white, cream, and red to black, blue, green, gold, Roman purple, violet, and rose. In addition to the pastoral stole kits, you will find narrow trims, orphrey braids, downloadable machine embroidery designs, tassels, and stole trim kits to aid in creating a unique and beautiful pastoral stole.
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Evesham, which is made from silk fibers, comes in two different pattern scales: a large size pattern, and a small pattern. With two sizes of scales of patterns to select from, The project will combine the use of both the large and small patterns of Evesham.
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Ecclesiastical Sewing shares a valuable tip for precise pattern placement when cutting stoles from the stunning red Lichfield Liturgical Fabric. By folding the paper pattern in half along the stole’s length and aligning the fold with the center of the design motif, the risk of misalignment is minimized. This practical method ensures a beautifully centered stole with ease.
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St. Hubert (656–727 A.D.), Bishop of Liege and patron of hunters, hailed from the Dukedom of Aquitaine. Once a grand master, he turned to hunting and soldiering. On a Good Friday hunt, a stag, bearing a cross, urged him to repent. His wife’s death led him to forsake worldly possessions, becoming a priest in Stavelot, Belgium. Following Lambert’s assassination, Hubert, sent by the Pope, became Bishop. He lived a virtuous life and died as a confessor, confessing the faith, though not a martyr.
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Lichfield Liturgical Fabric features two main motifs: a Fluer Cross and a Tudor Rose. Both motifs are roughly the same size, also a trailing vine that surrounds the rose. The plan for Lichfield is to make several pastoral stoles and a chasuble – Pattern matching with liturgical vestment.
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The amice is the first garment to be put on by a priest. It is worn on the head, while he offers up prayers and intercessions, and then he continues to dress. After the alb is put on, the amice is pushed off his head and worn around his neck as a collar. The long cords of the amice are then tied around the alb under the arms, crossed around the back, and brought back to the front to be tied. All this being said, there are instances when the amice is kept upon the head for practical reasons: such as warmth during a processional or in a particularly drafty church.
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The fabrics, from bottom to top, are York Brocade – Ivory, Winchester Brocade – Purple, Fairford Brocade – Bridal White, Ely Crown – Gold, Fairford Brocade – Purple, Fairford Brocade Ivory, Fairford Brocade Gold, Fairford Brocade – Blue/Gold, and Winchester Brocade- Ivory. These durable fabrics are well-suited for making pastoral stoles, designed to withstand the demands of hand embroidery. With a higher thread count and dense weave, they offer both durability and weight, ensuring the stoles hang straight and stay in place during use.
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The capital of Montana is Helena. The cathedral’s entrance features impressive stone carvings, and the interior is grand with rich burgundy tones, metallic gold paint, and brass fixtures. The stained glass windows, numbering over 75, exhibit meticulous detail, resembling painted scenes with fine facial features, expressive eyes, and a heavenly gaze.
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Fair Linens are hand hemmed with a simple slip stitch worked in even tiny stitches. The quality of the hand hemming is determined by the number of stitches made in each inch of length, as well as the evenness of the stitching. To aid in obtaining even, tiny stitches, use a single strand of fine cotton thread such as YLI Heirloom Thread which is a 100/2 size, or a similar fine sewing thread.
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Evesham is a metallic brocade, which is difficult to capture in photos. There is a tiny glimmer of metallic threads that outline the ogee motif. As much as I like the Red and gold color combination of Evesham. The lovely white gold version of Evesham that is so very lovely in soft candlelight. The white gold is a lovely choice for Christmas and Easter Celebrations.
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