Starting with a plan for a quick cleanup, it evolved into a comprehensive overhaul of scattered Ecclesiastical Sewing and Embroidery ideas. What began as a simple task extended into organizing notebooks, sorting patterns, and creating a system. Nine 3-ring binders later, everything has its place, labeled and easily accessible. This newfound order brings joy, making it quicker to find project details.
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Preparing to transfer Ecclesiastical Embroidery patterns on white fabric. Testing blue quilt pounce for clear, washable lines. Pouncing carefully to avoid powder loss. Tracing with General’s pastel chalk, Paper Mate Flair, and Stabilo pens for comparison. Learning as we go for optimal results. Stay tuned for the next steps!
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Testing transfer methods for whitework embroidery. Experimenting with blue quilt pounce powder on linens. Trying a gray pastel pencil for clean lines. Seeking a washable solution to prevent discoloration. Updates coming soon!
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Choosing gold threads for the Easter Set Pulpit Fall project. Considering Imitation Japan Thread and Tyre silk threads for couching. Excited to see the glitters in the finished goldwork!
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Stitching progress on the Easter Set Pulpit Fall project, focusing on the quarter circle with silk embroidery. Using Au Ver A Soie – Soie Ovale in Crème, the flat silk creates a textured and elegant background. Goldwork couching up next!
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The choice of thread for the initial work is Soie Ovale in Creme, a large-size spool from Thistle Threads. This thread is employed as a laid thread to fill the background around the lilies in the four corners of the circles. The laid work with flat silk requires a steady rhythm. The areas between the lilies, expected to be tedious, turn out to be enjoyable and are progressing well. Despite occasional challenges, the stitching is underway, bringing the project to life.
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Framing the Ecclesiastical Embroidery design for the Pulpit fall in progress. A cross with floral motifs, Chi-Rho, and lilies will adorn this piece., considering the fabric’s brocade backdrop. The original floral details may evolve into goldwork threads for a stunning effect. The framed design offers a space to experiment with colors and ideas. Excitement builds for this Easter Ecclesiastical Vestment set, with plans to baste layers and provide a protective cover soon.
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Ecclesiastical Embroidery Design project for the Easter Pulpit Fall is underway. The linen is now framed up, and the pouncing and tracing will soon be complete. Utilizing the Millennium Frames from Needle Needs for the first time, a short video tutorial was a helpful guide. Framing proved a bit tricky with two layers—the Alabaster Linen from Hedgehog Handworks and a layer of Kona Cotton for backing and support. flipping the frame to the backside ensured proper alignment and support for the lining fabric.
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Embroidery framing plans face setbacks due to sizing mismatches with Millennium and Evertite Frames. Technical challenges require a new approach. The starting a new Ecclesiastical embroidery project continues with optimism, but obstacles emerge in frame selection and sizing. Despite encountering disappointments the determination to overcome these challenges and find suitable solutions remains steadfast.
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Late-night progress in the Ecclesiastical Embroidery project involves perforating the cross pattern for the Purificator. The “prick and pounce” technique is employed, creating tiny, close-together holes for accurate design transfer. A homemade tool, a size 12 crewel needle in a cork, proves effective for this task. The small pattern size contributes to a quicker perforation process.
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“To the Rescue in the Sacristy”: Addressing the mystery of disappearing Purificators in the Sacristy after Holy Communion services, showcasing the need for solutions to ensure linens find their way back to their rightful place.
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New Embroidery Frames Mean New Projects: Millennium Frames from Needle Needs arrived, beginning of a new Ecclesiastical Embroidery project. The chosen design, a pulpit fall for the Easter Vestment Set, is sourced from a vintage German book dating back to 1902. This unique treasure has undergone slight modifications to enhance simplicity. Linen options—Alba Maxima, Alabaster Angel, and Ecclesiastical Linen from Hedgehog Handwork. finalizing linen and floss colors, for another ecclesiastical artwork.
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Making of the Littlest Lamb in The Tale of Two Lambs. Created on Alba Maxima linen from Hedgehog Handworks, this lamb comes to life with stitches and delicate shading. The linen provides a perfect canvas, and the project is stretched on an Evertite Frame. Various hand embroidery techniques, including long and short stitch shading, satin stitch, laid work, goldwork couching, split stitch, and stem stitch outlining, contribute to the lamb’s intricate details.
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“The Tale of Two Lambs” is about making special decorations for a church, like Easter cloths. At first, the results weren’t good so, learning more became the focus. The Angus Dei featuring two lambs—one small for a robe and one big for an altar cloth. The story is about learning and getting better at sewing with silk and gold threads, with more things to find out along the way.
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Discovery for Ecclesiastical Sewing and Ecclesiastical Embroidery Design ideas on Pinterest. One of the discoveries found on Pinterest is the Mandala. not initially for Ecclesiastical use, but to inspire creative ideas.
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