Ecclesiastical Sewing sells small iron-on cross appliques. There are a variety of colors and sizes. These little crosses can be used on the neckline of a stole; they can be used to decorate the front of a stole; or they could be used on chalice veils, burses, or other church vestments.
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These fabrics often showcase medium to large patterns, like the Aragon Tapestry with its Jardinière design or Brocatelles such as Wakefield and Evesham. They are versatile for creating entire vestments or using cut pieces as accents. The size and scale offer endless possibilities, and shimmering threads woven into intricate designs enhance the beauty of the final vestments.
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Our Liturgical Brocade Fabrics have been designed and woven by the same company in the United Kingdom for over 140 years. The patterns used in many of the Liturgical Brocade and damask fabrics come from historic sources such as paintings, frescoes, or paintings of vintage textiles. The top designers of the late 1800s, such as Sir Ninian Comper, created several fabric patterns that are still in production today.
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Advent is a season of preparation that leads up to one of the most Festive seasons in the Church year. Christmas will soon be here, and with it comes the splendor and joy of the birth of our Redeemer, the Christ Child. Each season in the church year is marked by a change in vestment color and symbols. The color for Christmas is white or gold. White is also the color used for Epiphany, Transfiguration Sunday, and Easter, along with several other festivals throughout the church year.
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Linens are an item used every day or every week in the life of most churches. Linens are used for the most sacred and important part of a church service during the service of Holy Communion or the Eucharist. The small church linens or altar linens used in the Divine Service are the Fairlinen which is placed directly on the altar, the corporal, the lavabo towel, and the purificator. Some churches use a small side table that is covered by a Credence cloth.
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Renaissance Altar Linen – 100% Irish Linen fabric, which is 60″ wide. It feels like a vintage altar linens as it has similar weight and weave. This linen has a nice hand and body and presses well. Small altar linens and altar Fairlinens are made from this pristine white Irish Linen fabric.
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Our new 4 1/2″ pastoral stole has a guideline for cutting stole orphreys for use at the lower edge, as well as for use on the upper chest. The orphrey size and guideline placement have been developed based on the design rule of thirds and by years of practice. Now, these placement and cutting sizes are “guidelines” and are not meant to take the place of checking to verify that the placement works for each and every situation. They are intended to help create a sense of balance and proportion when making a pastoral stole, by providing a starting point for the placement of orphrey bands or appliques.
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Advent, the first season in a new church year, and Lent are penitential seasons – a time of reflection and a time to focus on the fulfillment of a promise. Color is used within the church to remind us that Advent and Lent are Penitential Seasons. Violet or Purple are the colors used during these seasons of the church year. Under the heading of purple or violet, come a few other colors. Rose is the color used in the third week of Advent and the fourth week of Lent to remind us of the slight change in the reading that has a lighter meaning.
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Ely Crown is a fabric design that has been around for a long period, yet this pattern is classic enough in its simplicity and beauty to be loved still today. There are two design motifs of the floras and crown, surrounded by an intertwining vine pattern. The above image is a copy that dates to the late 1800s or early 1900s which is made from Ely Crown. The cope is still in excellent condition and is still in use in the cathedral, although there are some signs of wear in the silk fibers in a few spots.
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Ivory York Liturgical Brocade, a subtle, but lovely fabric, is featured in this photo. The cotton is used as interfacing for pastoral stoles. One could also use hair canvas such as that used in tailoring, but it is often difficult to locate and can be expensive. The canvas that is 100% Cotton in medium to heavy weight is my favorite interfacing of choice for providing needed body, weight, and stability to a pastoral stole. Satin lining is included with all stole kits and is in a matching or contrasting color.
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We have a wide range of fabrics available in our pastoral stole kits: there are liturgical brocade fabrics, metallic brocades, silk dupioni fabrics, and tapestry fabrics to name a few. All of the liturgical colors are available from white, cream, and red to black, blue, green, gold, Roman purple, violet, and rose. In addition to the pastoral stole kits, you will find narrow trims, orphrey braids, downloadable machine embroidery designs, tassels, and stole trim kits to aid in creating a unique and beautiful pastoral stole.
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Evesham, which is made from silk fibers, comes in two different pattern scales: a large size pattern, and a small pattern. With two sizes of scales of patterns to select from, The project will combine the use of both the large and small patterns of Evesham.
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Ecclesiastical Sewing shares a valuable tip for precise pattern placement when cutting stoles from the stunning red Lichfield Liturgical Fabric. By folding the paper pattern in half along the stole’s length and aligning the fold with the center of the design motif, the risk of misalignment is minimized. This practical method ensures a beautifully centered stole with ease.
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St. Hubert (656–727 A.D.), Bishop of Liege and patron of hunters, hailed from the Dukedom of Aquitaine. Once a grand master, he turned to hunting and soldiering. On a Good Friday hunt, a stag, bearing a cross, urged him to repent. His wife’s death led him to forsake worldly possessions, becoming a priest in Stavelot, Belgium. Following Lambert’s assassination, Hubert, sent by the Pope, became Bishop. He lived a virtuous life and died as a confessor, confessing the faith, though not a martyr.
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Lichfield Liturgical Fabric features two main motifs: a Fluer Cross and a Tudor Rose. Both motifs are roughly the same size, also a trailing vine that surrounds the rose. The plan for Lichfield is to make several pastoral stoles and a chasuble – Pattern matching with liturgical vestment.
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