Ecclesiastical Sewing, a traditional craft, provides a glimpse into history and tradition. Exploring vestments worldwide on platforms like Pinterest reveals beautiful hand-embroidered pieces from countries like Russia and Ukraine. A document by the Metropolitan Museum of Art explains the differences between Orthodox and Western Church vestments, showcasing the Russian Phelonion. The ornate vestments from 1802 to 1877 feature luxurious materials, gold, silver, bells, and unique garment labels, offering insight into the rich history of ecclesiastical textiles.
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Historical monk habit pattern from an old pattern book and recreating the pattern.
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The Beauty of the Art of Ecclesiastical Embroidery and the Ecclesiastical Vestments created from embroidery have a long history with the church. Workers, artisans, craftsmen, both men and women, professional embroidered, and laity, over countless millennia, have added beauty to the church with the work of their hands by creating vestments and hangings for use in the worship service.
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The choice of thread for the initial work is Soie Ovale in Creme, a large-size spool from Thistle Threads. This thread is employed as a laid thread to fill the background around the lilies in the four corners of the circles. The laid work with flat silk requires a steady rhythm. The areas between the lilies, expected to be tedious, turn out to be enjoyable and are progressing well. Despite occasional challenges, the stitching is underway, bringing the project to life.
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Ecclesiastical Sewing involves crafting Church Vestments and facing challenges in finding techniques and patterns. After years of searching and studying, knowledge about this nearly vanished art form has been gathered. Through Ecclesiastical Sewing, liturgical fabrics, patterns, and designs are shared with those passionate about Ecclesiastical Vestment Making.
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