A trip to the Ursuline Center to explore interested items related to Ecclesiastical Embroidery and Vestments. The travel included stops at the Museum and the artist tower, and discovered a collection of hand-embroidered pieces and a few Ecclesiastical Banners that were hand-painted.
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Ecclesiastical Sewing made a good progress on Embroidery project. Finished the background using Soie Ovale flat silk, giving it a smooth look. Managed those tricky silk strands with “The Best Laying Tool.” Now, onto the detailed goldwork Italian Stitch with Elizabethan Twist.
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Progress on the Easter Set Pulpit Fall showcases intricate goldwork using Elizabethan Twist. The careful manipulation of the gold thread adds to the elegance. Soie Ovale silk thread in Creme complements the goldwork, and the laying tool aids in achieving a smooth finish. Balancing the gold thread and maintaining precision are ongoing challenges.
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Summer travels brought unexpected surprises for the Ecclesiastical Sewing family in Montana. A visit to the Ursuline Center revealed a hidden treasure—a Sister’s art studio in the tower, showcasing two hand-painted Ecclesiastical Banners. One banner displayed signs of age with faded beauty, intricate details, and gold bullion fringe. The banners’ origin and age are unknown, making them even more intriguing.
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Framing the Ecclesiastical Embroidery design for the Pulpit fall in progress. A cross with floral motifs, Chi-Rho, and lilies will adorn this piece., considering the fabric’s brocade backdrop. The original floral details may evolve into goldwork threads for a stunning effect. The framed design offers a space to experiment with colors and ideas. Excitement builds for this Easter Ecclesiastical Vestment set, with plans to baste layers and provide a protective cover soon.
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Ecclesiastical Embroidery Design project for the Easter Pulpit Fall is underway. The linen is now framed up, and the pouncing and tracing will soon be complete. Utilizing the Millennium Frames from Needle Needs for the first time, a short video tutorial was a helpful guide. Framing proved a bit tricky with two layers—the Alabaster Linen from Hedgehog Handworks and a layer of Kona Cotton for backing and support. flipping the frame to the backside ensured proper alignment and support for the lining fabric.
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Embroidery framing plans face setbacks due to sizing mismatches with Millennium and Evertite Frames. Technical challenges require a new approach. The starting a new Ecclesiastical embroidery project continues with optimism, but obstacles emerge in frame selection and sizing. Despite encountering disappointments the determination to overcome these challenges and find suitable solutions remains steadfast.
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Late-night progress in the Ecclesiastical Embroidery project involves perforating the cross pattern for the Purificator. The “prick and pounce” technique is employed, creating tiny, close-together holes for accurate design transfer. A homemade tool, a size 12 crewel needle in a cork, proves effective for this task. The small pattern size contributes to a quicker perforation process.
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Making of the Littlest Lamb in The Tale of Two Lambs. Created on Alba Maxima linen from Hedgehog Handworks, this lamb comes to life with stitches and delicate shading. The linen provides a perfect canvas, and the project is stretched on an Evertite Frame. Various hand embroidery techniques, including long and short stitch shading, satin stitch, laid work, goldwork couching, split stitch, and stem stitch outlining, contribute to the lamb’s intricate details.
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